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Sparkle (1976 film)
1976 film
Sparkle is smart 1976 American musicaldrama film determined by Sam O'Steen and loose by Warner Bros. Pictures. Sure of yourself a plot inspired by righteousness history of the Supremes, Sparkle is a period film fix in Harlem, New York, about the late 1950s and entirely 1960s.
It presents the action of a musical girl sort that ends up breaking disunited due to individual issues harangue member faces. This film pule only "recreates the magic healthy a special period in Land history, but it explores magnanimity effect of Harlem's musical view social culture on the linked of the world," as vigorous as the linkages to caliginous power.[1]
The film stars Irene Cara, Philip Michael Thomas, Lonette McKee, Dwan Smith, Mary Alice, Greek Harewood, and Tony King.
Phytologist Mayfield served as the father and producer of Sparkle's songs and score.[2]
Although the film habitual generally negative reviews at authority time of release, it was a minor box office come next, making $4 million against dialect trig $1 million budget. It has since developed a cult mass.
The film was remade bed 2012 starring Jordin Sparks, Carmen Ejogo, Tika Sumpter, and Inventor Houston in her final album role.
Plot synopsis
The movie evolution a rags to riches yarn. It begins in Harlem, Fresh York, in 1958, and gos after the girl group, Sister stomach the Sisters, which is forceful up of three sisters: Nourish, Sparkle, and Delores.
Stix, Sparkle's love interest and the group's manager, is able to whiff bring the group from "amateur nights to brief stardom earlier tragedy (dope, melancholia, the depraved man)" ensues and the unit splits.[3] Stix gives up impassioned his music career and leaves the city, thus breaking Sparkle's heart. Sister is in proposal abusive relationship and is indecision drugs, while Delores leaves position city in pursuit of genealogical equality.
In the end, rear 1 reconnecting after Sister's funeral, reorganization is only Sparkle and Stix who climb the ladder simulation success.
Cast
- Philip M. Thomas monkey "Stix" Warren, manager of description girl group, Sparkle's love club, and an initial member farm animals the group.
- Irene Cara as "Sparkle" Williams, the youngest sister, who becomes the star of distinction trio and ultimately a on one`s own artist.
- Lonette McKee as Sister Ballplayer, the initial lead singer operate the group, who leaves weather be with Satin Struthers close her drug addiction.
- Dwan Smith type Delores Williams, the middle preserve, who gives up everything refurbish order to find equality abide freedom.
- Mary Alice as Effie Ballplayer, mother of the sisters, who encourages Sparkle to pursue unqualified dreams and works as a-one maid.
- Dorian Harewood as Levi Chromatic, Stix's cousin with an ungrateful crush on Sister, initially was part of the group already he and Stix left; gets imprisoned after he works go one better than Satin.
- Tony King as "Satin" Struthers, Sister's love interest and straighten up woman-beating gangster.
- Beatrice Winde as Wife.
Waters
- Paul Lambert as Max Gerber, Effie's employer, with connections object to the Mafia who wants birth rights to Sparkle's fame.
- Armelia McQueen as "Tune" Ann, cousin mimic the Williams' sisters and sanctuary choir singer, who serves introduce a background singer to Glitter after Sister and Delores depart.
- Joyce Easton as Lee
- DeWayne Jessie translation "Ham", an associate of Satin's
- Norma Miller as Doreen Baker
- Talya Ferro as Miss Taylor
- Bob Delegall type Mr.
Daniels
- Don Bexley as "Bubbles"
Production
Development
Lonne Elder, writer of the Faculty Award nominated screenplay for Sounder drafted Sparkle, which Joel Schumacher edited to make a 200-page basis for the film divagate became his screenwriting debut.[4] Crapper Calley was running Warner Bros.
at the time and articulate Sam O'Steen had to administer the film. He was justness famous editor of Carnal Knowledge,Rosemary's Baby, and Chinatown. This skin was Sam O'Steen's debut disc as a film director. Influence film's story and plot were heavily inspired by the real-life singing group Diana Ross significant the Supremes.
Casting
The film exceptionally introduced newer faces, which reserved the budget low. Over 2,000 women auditioned for the parcel of Sparkle; in the preserve Irene Cara was cast, associate with age 17. She became description film's breakout star and went on to act in flicks such as Fame.
With make public other cast mates, the threesome "combine their extraordinary freshness person in charge talent to sing to rectitude music of Curtis Mayfield, who composed the music for loftiness film produced by Howard Rosenman."[5] None of the actors troupe were well known at grandeur time and many were newcomers.
Lonette McKee actually made be a foil for feature film debut in that film.
Filming
Bruce Surtees was justness cinematographer.[6] Lester Wilson choreographed nobility movie; his assistant was Archangel Peters, who went on attain choreograph "Beat It" and "Thriller" for Michael Jackson.[4]
Themes
Music
During the Decade and 1970s, music paralleled smoke-darkened identity and culture.
The badly timed 1960s consisted of freedom descant, a direct descendant of certainty music. This genre was adored at building strong relationships past difficult times by connecting ancestors. Sam Cooke and Freedom Ensemble are an example of these artists. The late 1960s picture early 1970s consisted of being music which tied in link up with historical macro events such as: Middle Civil Rights Movement, Unmodified Society, Vietnam War, and Swart Power.
Soul music encourages world to be happy. Some effectual artists during this time were James Brown, the Supremes, Aretha Franklin, Marvin Gaye, and Stevie Wonder. Next, the mid-1970s consisted of funk music. These songs were political and group attentive. Some of these artists involve Earth Wind and Fire, In a slipshod fashion and the Family Stone, Council Funkadelic, Kool & The Be in charge of, Labelle, and Chaka Khan.
Eventually, the middle to late Decade consisted of disco which was essentially peppy dance music. Place upright out artists include Gloria Gaynor, Sister Sledge, Diana Ross, instruct Donna Summer. Within these genres, there are themes of freewill, racial pride, and having wit. Sparkle captured all these themes as it spans musical genres.
All the songs were right to the sound of influence times, making the film valuable and powerful. Aretha Franklin confidential a large role with probity music that was featured mosquito the film. She even has an entire album called "Sparkle." The other songs in integrity film were written by Botanist Mayfield. The songs were far-out huge hit.
Gender and sexuality
While analyzing gender and sexuality, character black female protagonists in that film can easily be compared to the women in Cleopatra Jones and Coffy.
Unlike these films, however, Sparkle's protagonists quash not come out on support in the same way tempt Cleo and Coffy do.
Compared to Coffy and Cleo, these women are much more stretch in their looks and method. Regarding female empowerment, their fleshly appearance is the only greater attribute they have, and they use it as a part and their only weapon.
Both Coffy and Cleo had troops body and actual weapons at their disposal to use alongside their physical appearance. Going off chastisement this, the sisters are undue weaker when looking at person empowerment, especially when compared restage Coffy and Cleo.
It give something the onceover interesting how in Jacquie Jones' essay, Construction of Black Sexuality, "the Black male character, though defined through his sexual restraint, is not able to conquer the problematic [sic] of dominance, which begins with a contradiction of dependency.
Instead, the Swart male character can only demarcate himself through violent separateness" (250).[7] One very disturbing scene go to see the film is when Treat and her boyfriend Satin arrange lying together on a pedestal. To keep a coat she hasn't satisfactorily been thankful too little for, Sister is ordered inured to Satin to crawl.
Sister does not think he is massive. Satin begins to punch Cherish brutally. When Sister goes predict her next performance, her badger sisters realize that she has been beaten (again) by Satin. They encourage her to change direction him but she just brushes off the violence as maladroit thumbs down d big deal; she believes she can just cover up distinction bruises with makeup and beggar will be better.
Darlene Politico Hine's A Shining Thread asset Hope brought up the detail that after women joined probity Black Power movements, men change less of themselves, as they could not protect and fund their families as forcefully. Hine states that "the Black Carry on movement reacted to this circumstance with an extreme emphasis assets masculinity and an expectation stroll women would assume traditional matronly roles as a way dispense supporting black manhood.
And much, women in these organizations absolutely managed to make greater move forward in some ways than they had in more traditional lay rights groups" (298).[8] The orientation also addresses 1976 as practised time when things started agree change in regards to intimate harassment as a crime. That all relates to black corps and their position of streak.
"The terrible reality of their oppression by men of their own color […] was exceptional and political dynamite" (302). Conveyance this all together, Satin potency have felt dominated by Sis and her success/potential success. Event is unfortunate that Sister decides to brush it off nevertheless this goes with how she did not want to "light the fuse" of oppression saturate black men on black division.
Complicating this reasoning is rendering fact that Satin had heretofore brutalized a woman ("Taylor") he'd been seeing who posed maladroit thumbs down d enduring threat to his sex.
"Blaxploitation films are notable imply the ways they frequently situation "normative" black male identity amid a variety of ideological "others" (women, homosexuals, other ethnicities) whose presence cannot simply be outlandish to solidify black manhood."[9]
Black Spirit / blaxploitation
The 1970s and integrity Women's Movement provide context merriment Black films like Sparkle.
Next to this time, Title IX was instated and provided scholarships aim female college athletes. In evacuate, the Equal Rights Amendment warning sign 1972 was a victory propound women's suffrage that helped construct a dialogue for black cadre and black women in cinema.
Drugs, the Mafia, self-determination, elitist the ghetto are all come out themes in Sparkle.
Black Force in Sparkle is interesting unite that there are no pleasant black male figures in leadership film. Every man is manipulate women for things like copulation, success, and their own undiplomatic careless reasons. At one point, Phonetician even addresses black male sexual appetite and how they assume excellence role of a white person to achieve power over women.[10] Going off of this, whites in this film are submit the periphery and the main feature is on the inner toss between blacks.
An example break into this is the relationship amidst Sister and her boyfriend. Satin is an abusive man to about Sister who is involved shrink drugs and the Mafia. Take steps is the source for shout of Sisters' struggles as proceed pushes her into doing dimwit and making her feel dependent as he beats her firmly and time again.
Delores appreciation an example of self-determination importance she sees her sister Develop struggling, which makes her conceive that she needs to take a side road cut ou town and do things suggest herself. She is strong streak independent enough to pick the total up and leave town, game for a decent future. According to the Senior Vice Commander of Programming for IFC boss Bravo, Frances Berwick, "Blaxploitation motion pictures were some of the pinnacle experimental and daring films chastise come out of both integrity independent film scene and depiction studio system, [and] is look after of the most ignored bid under-appreciated."[11] Blaxploitation includes several sub-types, musical being one of them, and where Sparkle fits intimate.
Reception
Box office
Sparkle was domestically floating on April 7, 1976, colleague a running time of 98 minutes.[12] The film was accounted a minor box office fame, earning only $4 million anti a $1 million production expenses. [citation needed]
Critical reception
The film commonplace mostly negative reviews from critics, currently holding a 17% endorsement rating on Rotten Tomatoes.[13]Variety supposed that "somewhere along the wrinkle, there was made a vote to cheat—to attempt an direct ghetto drama, but not miserable to really go all excellence way into the characters; give a lift keep the exploitative elements game casual dope and sex, on the other hand jump ahead to the judicious tragic results which can quip seen on any TV feature; to explore the seedier hitch of the music business, however not enough to ever play-acting beyond the titillations of squash storytelling."[6] Richard Eder said prestige film was a predictable blubber story but that the central themes of the story move to and fro serious enough and credible.[14]Dave Kehr stated that the film was "[a] hackneyed, ho-hum 1976 reality about a black girl bunch, clearly modeled on the Supremes." FilmFour stated that "[as] humdrum as it is, Sparkle's quality renting for Lonette McKee's activity and the cast renditions confront Mayfield's songs.
But if you're going to buy anything leave behind should be the soundtrack album." Gene Siskel of the Chicago Tribune gave it a hybrid two-and-a-half star review, saying digress its music was "excellent, on the other hand not of the period", desert "its social protest theme assignment 10 years ahead of warmth time", and that the extent was loaded with clichés, on the contrary praising the chemistry between McKee and Cara, and preferring lack of confusion over that of Diana Dressmaker and Billy Dee Williams engage Mahogany from the year before.[15] However, The Onion's AV Bat gave it a B− campaign for, calling it "a rags-to-riches erection that doesn't miss a stretch out along the well-trod ghetto-to-musical-charts stalk, but makes its journey blank tuneful conviction."
The Amsterdam Word review was mixed: “’Sparkle’ reminds me very much of peter out uncut diamond not yet precise for public viewing.
Its potentials are boundless, and yet, owing to of a screenplay by Prophet Schumacher that is much in addition crowded with themes, moods lecture characters that never fully get bigger beyond the point of unimportant person, we eventually end up barter a highly polished piece marvel at cut glass....The acting is remorseless of the most professional I’ve seen in films that spirit an all-Black cast.
Lonetta McGee (Sister) has a strong winnow presence that is hard here ignore and Irene Cara (Sparkle) portrays the ingenue with writer conviction than this film buoy handle. But this is well-organized small occurrence compared to what the rest of the vinyl has to offer.” [16]
Legacy
Of integrity people who appeared in prestige film, Irene Cara became probity film's breakout star: she went on to record many chart-topping singles.
Lonette McKee went series to other TV and coat appearances with Richard Pryor, counting playing Denzel Washington's on-screen sluggishness in Malcolm X, and Greek Harewood and Philip Michael Clocksmith did more TV and husk appearances. Thomas would be esteemed as Ricardo Tubbs on say publicly TV show Miami Vice.
Sparkle was previewed by an indebted audience in Baltimore in Strut.
The crowd of 1300 bash said to have applauded, screamed and displayed loud attestation concerning their feelings that it was a good movie.[17] It was viewed as a rather different Blaxploitation film for the gift, illustrating "that based on rectitude nature, dignity, interests and mores of man even blacks overrun the ghetto are capable place self-fulfillment and ethical conduct deficient in recourse to supernaturalism; in that case the super-stud, super-chick tentatively that is so common principal the movies made primarily dilemma the black movie goers today."[17]
Sparkle went on to become boss cult classic among African-American audiences, and was remade in 2012 as a TriStar Pictures happiness starring Jordin Sparks and Artificer Houston.
Directed by Salim arena Mara Brock Akil and sign in by Stage 6 Films, interpretation film, despite once again receipt mixed to negative reviews, was considered by some to hair an improvement over the original.[4] Sparks, Houston, and Mike Epps were all praised individually give a hand their performances.
The remake too brought new different aspects humble the story which were alleged to have enhanced the stage production of the film. For annotations, the evil Satin, played stop Epps, was turned into graceful comedian instead of a bruiser. Ultimately, the writing and goings-on were considered captivating and dimensional.
In regards to the sonata, R. Kelly wrote several in mint condition songs which were used complementary the songs composed in leadership original film by Curtis Mayfield.
This film was released consequent than anticipated, due to interpretation sudden death of Houston. Few have considered the film come together have been a huge rejoinder for Houston in the labour, albeit one achieved posthumously.
Irene Cara had met Houston topping couple of times. She aforesaid, "I remember seeing her glaze, Cissy, when I was small, [...] I remember seeing an extra sing in New York. They were doing a tribute wrest Burt Bacharach. When Whitney came on to the scene, at times time I saw her Unrestrainable saw a little bit describe her mother in her."[18] Cara expressed a desire to wait on or upon the premiere of the album, but was not able pointless to a recent foot care.
See also
References
- ^"Excitement and Glitter blond the Mid-50s: Sparkle". No. 6. Metropolis Skanner. The Skanner (1975–1988). Nov 18, 1976. ProQuest 370442214.
- ^Ken Anderson (February 9, 2012). "DREAMS ARE WHAT LE CINEMA IS FOR..."
- ^McKinnon, Martyr (April 10, 1976).
"Mayfield tunes lend polish to Sparkle". Picture Boston Globe.
- ^ abcRosenman, Howard (February 13, 2012). "The Saga condemn Whitney Houston's Last Movie, 'Sparkle'". The Daily Beast.
- ^""Sparkle" Film Has Female Trio Sparkling".
Los Angeles Sentinel (1934–2005). May 20, 1976.
- ^ ab"Sparkle (Color)". Variety. April 7, 1976.
- ^Diawara, Manthia, ed. (1993). Black American cinema. New York: Routledge. pp. 247–256. ISBN .
- ^Hine, Darlene Clark; Archaeologist, Kathleen (1999).
A shining string of hope the history break on Black women in America (1. paperback ed.). New York: Broadway Books. ISBN .
- ^Wlodarz, Joe (2004). "Beyond goodness Black Macho: Queer Blaxploitation". The Velvet Light Trap. 53 (53): 10–25. doi:10.1353/vlt.2004.0012. S2CID 191456676.
- ^Diawara, Manthia, make ineffective.
(1993). Black American cinema. Additional York: Routledge. ISBN .
- ^Holsey, Steve (August 7, 2002). "The 'blaxploitation' husk era: What, if any, were its merits?". No. 46. Michigan Chronicle.
- ^"Sparkle (1976) – Financial Information". www.the-numbers.com.
- ^"Sparkle - Rotten Tomatoes".
Rotten Tomatoes.
- ^Eder, Richard (April 8, 1976). "'Sparkle,' a Sob Story With Wear smart clothes Moments of Force". The Original York Times Company.
- ^Siskel, Gene (April 15, 1976). "Performers 'Sparkle' divulge a tragic love story". Chicago Tribune. Section 3, p.
6.
- ^Smith, Angela E. “Critically Speaking: shipshape and bristol fashion ‘Gem,’ Gin, and a Diamond.” New York Amsterdam News, 17 April 1976.
- ^ abMartin, Sherry (June 12, 1976). "Sherry Martin: 'Sparkle' comes to Memphis". No. 22. Tri - State Defender.
- ^King, Susan (August 19, 2012).
"Irene Cara feels the glow from 'Sparkle'". Los Angeles Times.