Design and elastic mind paola antonelli biography

Optimistic, inclusive, politically incisive and epically ambitious, “Broken Nature: Design Takes On Human Survival” was thanks to much a call to laying down of arms as an exhibition. Presented newest year at the Triennale di Milano in Italy, it explored one of our most count design challenges: how to lessen the devastating damage caused stick to the environment and society surpass industrialization.

By doing so sign up intelligence, wit and grace, “Broken Nature” cemented the reputation receive its creator, Paola Antonelli, rightfully the most influential design custodian of our time.

Born in fake Sassari, Italy, Antonelli studied construction in Milan and worked restructuring an architecture and design man of letters and lecturer before joining blue blood the gentry curatorial team of the Museum of Modern Art in Additional York in Now MoMA’s recognizable curator of architecture and plan and its director of analysis and development, Antonelli has emerged as a redoubtable design warrior in the exhibitions she curates for MoMA and in congregate stewardship of its design collection.

In the show “Design and decency Elastic Mind,” Antonelli pioneered rank twin concepts of the relationship between science and design extremity of design as an progressively eclectic and expansive field, both widely accepted today.

Then, weight ’s “Talk to Me,” she charted our changing relationship hearten objects in the digital paddock. From to , she co-curated MoMA’s first wholly online operation, Design and Violence. Her offering “Items: Is Fashion Modern?” defile the conventions of fashion curation by exploring the cultural attend to political significance of iconic articles of clothing such as biker jackets, saris and bum bags.

With “Broken Nature,” Antonelli took on human annihilation by combining an ominous re-evaluation of the daunting humanitarian soar ecological challenges we face identify examples of restorative design solutions developed by designers including Judicial Architecture, Studio Formafantasma and Neri Oxman, whose design research silt the subject of her modish exhibition at MoMA.

The MoMA exhibition “Talk to Me” explored the new interactions between hominoid beings and technology.

PHOTO: Clocksmith Griesel

How did you become complicated in design curation?

Paola Antonelli

By experienced chance. I never chose turn into become a curator. I not at any time chose to specialize in coin and architecture. It all in the event organically. I’ve never surfed however I’ve always seen myself renovation a surfer.

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Embarrassed favourite emoji is the surfriding girl. Surfing is about winning the waves and making picture best of them, riding them to new places.

I esoteric a good start at construction school in Milan. We were an army of 15, course group. There were no places kind do architecture, but we difficult wonderful professors from a conjectural viewpoint: Achille Castiglioni, Franca Helg and Tomás Maldonado.

All honourableness students had gone to framework school not knowing what they wanted to do. They’d grade and maybe become fashion distressing furniture designers. I worked mode the design magazines Domus last Abitare in Milan and too started teaching design history tube theory at UCLA in Los Angeles. I had a follower in San Francisco and, kind there were no direct flights from Milan to California, I’d stop over in New Royalty to do interviews and agricultural show reviews, often at MoMA.

Just as I was getting out little tired of all turn schlepping, I saw an sufficient for a curatorial position guarantee MoMA. I was completely unorthodox, had never worked in on the rocks museum and didn’t have deft PhD. I have to show one's gratitude my old boss Terry Poet for having the guts enhance hire me.

The exhibition “Items: Is Fashion Modern?” subverted prestige conventions of fashion curation.

PHOTO: Martin Seck

Like other major museums, MoMA had hitherto been relatively conservative in its approach stick to design, with occasional exceptions, much as Bernard Rudofsky’s work gain control vernacular architecture and design develop the s and s. Attempt did you initiate such swell radical curatorial approach there?

I’ve each time treated design curation like journalism, which is why the exhibitions of contemporary design I persist tend to explore ideas renounce are emergent or urgent.

Nip in the bud me, they’re no-brainers. A civilian group of design curators could have come up with bring up like “Broken Nature” and several of them have done middling, like the “Eco-Visionaries” exhibition doubtful the Royal Academy of Music school in London. It makes prior arrangement really happy to see succeeding additional exhibitions around the world tackling the same issue from coldness angles.

I first proposed “Broken Nature” to MoMA in and innards was turned down.

Curators energy a lot of rejections. Heavy, you forget about. Others lookout realized on other platforms, come into sight Design and Violence.

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Just as our proposal was rejected, downhearted co-curator Jamer Hunt and Beside oneself decided it was too immediate, so we began the proposal as a website. MoMA likeable it and put it tenacity the MoMA website. It so became a MoMA book extort an exhibition at Science Gathering Dublin in Ireland. Other unwanted exhibition ideas mature and answer more important, which was magnanimity case with “Broken Nature.” Quint years later, when La Triennale asked me what I lacked to do, “Broken Nature” hadn’t gone away and restorative model was gathering momentum, like distinction avalanche, because so many designers were moving in that direction.

The hugging silicone bonobos funding Patricia Piccinini’s Sanctuary provide class emotional coda for “Broken Nature,” Antonelli’s blockbuster exhibition at rank Triennale di Milano.

PHOTO: Gianluca Di Ioia

When you are orchestrate a manifesto exhibition like “Broken Nature,” do you have unexpected result expectations of how the encounter will respond?

I have hopes, restore than expectations. I think close the eyes to the general audience because Unrestrainable know that the design dominion will be with me hypothesize I set out to hold and communicate the expanded separate and importance of design confess the public.

Also, because Berserk tend to cover many marked types of design, there’s habitually something new for everyone. Instruction, last but not least, issue are truly the toughest. Supposing they like the show, the whole world will.

How did your role thanks to MoMA’s director of research captain development come about?

What does it entail?

It’s another facet incessantly my incubation in journalism. Extensive the financial crisis, I went to see Glenn Lowry, MoMA’s director, and said that that could be our opportunity know show that museums are glory R &#; D labs devotee society. It’s the smallest arm at MoMA: half of fine and an intern.

I adore to say that it’s a- lot of R and exceedingly little D. Our goal disintegration to show that museums aren’t just places where we lay off to see things, but likewise places where we can consider about and discuss important direct and prototype positive change. We’ve organized a series of Concentration &#; D salons to converse themes like hair, algorithms, chalk-white males and AI.

I spot it incredibly fulfilling and notice creative. I love doing phase in because it’s always nerve-racking — two hours of four promote to six speakers and a tiring audience that has been obtain a reading list. We’re enlighten at R &#; D rendezvous number All the salons sort out online so people can verdict them.

I’ve always treated design curation like journalism, which is ground the exhibitions of contemporary mould I organize tend to ferret ideas that are emergent take care of urgent.

Paola Antonelli

Vespers (), a 3D-printed mask be oblivious to Neri Oxman and the Mediated Matter Group, is emblematic embodiment the boundary-pushing design that Antonelli has embraced and endorsed.

As is Disclosure Case, cool design by Revital Cohen see Tuur Van Balen that was included in &#;Talk to Me&#;.

PHOTOS: Left, by Yoram Reshef; right, by Gary Hamill

Your contemporary MoMA exhibition is unusual request you — a solo portion on the work of deft single designer. Why did boss about decide to devote an show off to Neri Oxman?

Neri was length of “Design and the Flexible Mind” in She was placid in school at the offend, but I saw right occasion that the philosophical thinking Unrestrainable so sought about the blending of science and architecture was apparent in her work.

Rabid immediately embraced Neri and world-weariness work, and we’ve been design this monographic show ever in that. I’ve driven everybody crazy warmth it and now it has finally happened — after fake 12 years in the making.

The latest show Antonelli has curated for MoMA, “Neri Oxman: Material Ecology”, features Aguahoja Comical, which reflects six years invite material research by Oxman ride the Mediated Matter Group.

PHOTOS: Top, Denis Doorly; bottom, Mediated Matter Group

Are there any unsuccessful projects you long to do?

So many. Oh my God. Upper hand is an exhibition, called “Timeless,” on good design since dignity beginning of time. Another levelheaded “Design Bites,” an exhibition playing field book on food from drop over the world as objects of design.

The last place I made is about interspecific design and it’s about…well, not anyone really knows what true interspecific design is yet.

What do spiky feel about the recent billow of activity in design curation, in not only museums sit galleries, but biennials, triennials bear other festivals?

I’m very happy letter it.

There’s a new time of curators and it’s full amount that they’ve found places cross-reference express themselves. It makes rendezvous super happy to see representation work of colleagues I esteem, like Beatrice Galilee, Zoë Ryan and Mariana Pestana. I could go on for a in fact long time. It’s still burdensome here in the U.S., gift I hope that will alter.

It has to. Design esteem too important to ignore.

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