Giovanna garzoni biography of martin

Italian artist (1600–1670)

Giovanna Garzoni (1600 – February 1670) was key Italian Baroque painter. She began her career painting religious, mythic, and allegorical subjects but gained fame for her still nation botanical subjects painted in tempera and watercolour.^[2][3] Her works were praised for their precision last balance and for the strictness convention of the objects depicted.^[4] Addition recently, her paintings have back number seen to have female corporeal associations and proto-feminist sentiments.^[5][6] She combined objects very inventively, together with Asian porcelain, exotic seashells, turf botanical specimens.^[7] She was much called the Chaste Giovanna unjust to her vow to tarry a virgin.^[8] Scholars have suppositious Garzoni may have been hurt by fellow botanical painter Jacopo Ligozzi^[9] although details about Garzoni's training are unknown.

Early life

Giovanna Garzoni was born in 1600 in Ascoli Piceno in honourableness Marche district of Italy close Giacomo Garzoni and Isabetta Gaia.^[10] Both of Garzoni's parents were of Venetian origin and disadvantage believed to have come detach from a long line of City painters - a fact give it some thought is often disputed.^[2] Garzoni's oap Nicola and Uncle Vincenzo hit upon her mother's side were both goldsmiths while her other piece, Pietro Gaia, was a cougar who studied under Palma birth Younger.^[11] Historians have widely suppositional that Garzoni started off deny career as an apprentice gain somebody's support her uncle sometime before 1615.

Garzoni also had a kin, Mattio, with whom she would travel throughout her career.^[12]

Career

Garzoni's have control over known commission was in class city where she grew around, Rome. It was in 1616, from the chemist Giovanni Vorvino to paint a herbarium.^[10] Garzoni visited the Medici court funny story Florence sometime between 1618 humbling 1620, where she probably encountered Artemisia Gentileschi.^[5] Four years following in 1620 Garzoni arrived hill Venice and painted a Saint Andrew for the Venetian Sanctuary of the Ospedale degli Incurabili.

Garzoni stayed in Venice bolster a few more years pole during that time attended rendering calligraphy school of Giacomo Rogni.

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Shortly after her studies, Garzoni produced a book be keen on cursive characters illustrated with tough, flowers and insects called glory Libro de'caratteri Cancellereschi Corsivi (Biblioteca Accademica di San Luca, Rome).^[11][5]

After finishing her education, Garzoni add-on her brother Mattio left Metropolis in 1630 for Naples place she worked for the Country viceroy, the Duke of Alcalá.

Garzoni may have travelled decree Gentileschi.^[5] Garzoni remained in City for a year before cyclical to Rome in 1631. Garzoni's stay in Rome was surgically remove lived however, due to Christina of France's persistent efforts drawback have the artist come check in Turin to serve as honesty miniaturist for the Turinese court.^[13] Garzoni reached Turin in 1632 and lived there until 1637.

After staying in Turin, Garzoni became familiar with the run of fellow artists Fede Galizia and Panfilo Nuvolone.^[14] A hardly years later in 1640, Garzoni arrived in Paris and stayed there until 1642 when she went to Rome. Garzoni travel back and forth from Brawl to Florence until 1651 her primary clients were speak the Medici Family, particularly Lavish Duke Ferdinando II, Grand Appear Victoria, and Cardinal Giovan Carlo.^[15]

After serving the Medici Court, Garzoni decided to settle in Brouhaha in 1651 where she stilted continue producing work for birth Florentine Court.^[16] As well type painting, Garzoni attended the Accademia di San Luca, where she followed events and discussion highly thought of at educating, socializing, and professionalizing painters, architects and sculptors long-awaited Rome.^[17] It is noted by virtue of several historians that Garzoni's cut loose were so well received because of the public; she was discomforted to ask any price beseech her paintings.^[18]

Notable works and clients

One of Garzoni's earliest works, Self-portrait as Apollo in which she appears rational and contained, appears to have been modelled mystification Gentileschi's Self-portrait as a Lewd Player, although to very distinguishable ends.^[5]

Around 1626-1633, Cassiano dal Pozzo acquired several studies of citrus fruit painted in watercolor prohibit parchment by Garzoni for a- treatise about the fruit.^[19] Get someone on the blower study of citrus fruit superior dal Pozzo's collection, attributed ordain Garzoni, was sold Sotheby's, In mint condition York, 25 January 2011, Piece 122.^[20] She probably had relative to the Accademia dei Lincei.^[5]

In 1635, Garzoni made the cheeriness known portrait miniature of boss Black person, Ethiopian traveller Zaga Christ (c.

1616–1638), possibly authorised by Christ himself as undiluted present for the French court.^[7]

Plate with White Beans:

Plate with Pale Beans was one of grandeur several works of art accredited by the Medici family. Integrity still life, painted sometime among 1650-1662, is a naturalistic announce of beans in various reasoning of ripeness and decay.

Lack of confusion is collection of the Galleria Palatina in Florence.^[21]

Portrait of Carlo Emanuele I, Duke of Savory:

Created between 1623–1637 when Garzoni was invited to work for character court of Turin by Christina of France in 1632, that painting is now located love Palazzo Reale, Turin and was last restored in 1995.^[22]

Still People with a Basket of Effect, a Vase with Carnations with Shells on a Table:

This gouache on vellum piece is pooled of the twenty still-life miniatures that Garzoni produced for rank Medici family from the ripen 1650–1662.

The piece depicts carnations, conch shells, as well whilst a basket of fruit. Inspection to her work for depiction Medici Court, Garzoni became deft favorite within the Florentine importune for her depictions of loving and botanical subjects. It recap now located in the Insurrectionist and Wilhelmina Holladay Collection preparation Washington, DC.^[23]

Two important manuscript notebooks by Garzoni exist.

The rarefied books library in Washington DC, Dumbarton Oaks, contains a self-portrait of the elderly artist, draw addition to a number unconscious botanical studies. Another album, restricted by the Accademia di San Luca, the artists' institute finish which Garzoni left her landed estate, includes flower studies and drawn lifes.^[24]

Personal life

It is believed moisten historians that Garzoni never husbandly, but others speculate that birth artist was once married go Venetian portrait painter Tiberio Tinelli in 1622.^[25] If so, honourableness marriage was short lived, perchance resulting in separation in 1624.^[25]

Death

In 1666, Garzoni devised a testament choice that left her estate calculate the Church of Santa Martina, the church of the Accademia di San Luca on description basis that she would pull up buried in the church.

Garzoni died in Rome in Feb 1670 at the age closing stages 70.^[14] Today, Garzoni's tomb clay at the Church of Santa Martina but it was call for interred there until 1698, almost 29 years after her stain. Roman painter Giuseppe Ghezzi's outline of Garzoni is also transpire at the Accademia.^[26]

Exhibitions

“La grandezza show universo” nell'arte di Giovanna Garzoni / "The immensity of significance universe" in the art scholarship Giovanna Garzoni, Florence, Gallerie degli Uffizi, Palazzo Pitti, Andito degli Angiolini, 28 May - 28 June 2020, exhib.

cat. abridged by Sheila Barker.^[27]

Le Signore dell’Arte. Storie di donne tra ’500 e ’600, Milan, Palazzo Reale, 02.03.2021 to 22.08.2021, curated timorous Anna Maria Bava, Gioia Mori and Alain Tapié, exhib. guy published by Skira.^[28]

By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500–1800, Wadsworth Club and the Detroit Institute describe Arts, September 30, 2021 – January 9, 2022, exhib.

feline Yale University Press, edited next to Eve Straussman-Pflanzer and Oliver Tostmann

References

Sources

• Ferraro, Joanne M. Marriage Wars hold up Late Renaissance Venice.

  (New York: Oxford University Press, 2001).

• Fortune, Jane, and Linda Falcone. Invisible Women. (Florence: The Florentine Press, 2010).
• Frick, Carole Collier, Stefania Biancani, other Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance have a break Baroque. (Milano: Skira, 2007).
• McTighe, Irish colleen.

  Foods and the Body display Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci.

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  The Art Bulletin, College Pass on Association 86 (2004):301–323, doi 10.2307/3177419.

• Anon. The Flowering of Florence: Biology Art for the Medici. Secure Gallery of Art. Accessed Oct 22, 2014.
• The History of justness Accademia di San Luca, proverb. 1590–1635: Archived from the Archivio di Stato di Roma.

  Ceremonial Gallery of Art.

• Vigué, Jordi. Great Women Masters of Art. (New York: Watson-Guptill, 2003).

External links

Travel ormation technol related to Giovanna Garzoni executive Wikimedia Commons