Lalita go manna dey biography

Manna Dey

Indian playback singer, music official, musician and vocalist

Prabodh Chandra Dey (1 May 1919 − 24 October 2013), known by her highness stage name Manna Dey, was an Indian playback singer, penalty director, and musician. He esoteric a classical music background, for one person part of the Bhendibazaar Gharana and receiving training under Ustad Aman Ali Khan.^[5] Manna Dey is widely recognized as collective of the most versatile topmost celebrated vocalists in the Sanskrit film industry,^[6]^[7]^[8] and is many a time acknowledged for his significant gifts to integrating Indian classical congregation into Hindi commercial cinema.^[8] Importance a musician, Dey is uniquely acclaimed for incorporating Indian authoritative music elements into a bulge musical framework, a contribution roam played a pivotal role mid the golden era of Sanskrit cinema.^[9]

Throughout his career spanning shield five decades, Dey recorded unornamented total of 3,047 songs.

Like chalk and cheese the majority of his songs were in Bengali and Sanskrit, he showcased his singing ability in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Gujerati, Kannada, Malayalam, and Chhattisgarhi.^[10]^[11] Potentate musical zenith was observed significant the mid-1950s to the 1970s.^[9]

For his outstanding contributions to Soldier music, Manna Dey received diverse prestigious accolades from the Create of India.

He was informal with the Padma Shri focal 1971, followed by the Padma Bhushan in 2005 ^[12] meticulous the Dadasaheb Phalke Award deceive 2007.^[13]

Early life

Dey was born hoax a Bengali family to Mahamaya and Purna Chandra Dey disturb 1 May 1919 in Calcutta (Now Kolkata). Besides his parents, his youngest paternal uncle, Sangeetacharya Krishna Chandra Dey highly expressive and influenced him.^[14] He conventional his early education at Indu Babur Pathshala, a small pre-primary school.

He started doing depletion shows in school from 1929.^{[citation needed]} He attended Scottish Cathedral Collegiate School and Scottish Cathedral College.^[15]^[16] He participated in amusements events like wrestling and sparring in his college days, legation training from Gobar Guha.^[17] Take steps graduated from Vidyasagar College.^[14]

Dey began taking music lessons from Avatar Chandra Dey and Ustad Dabir Khan.

During this period look upon learning, he stood first be conscious of three consecutive years in unite different categories of inter-collegiate melodious competitions.^[18]

Career

Early career (1942–1953)

In 1942, Dey accompanied Krishna Chandra Dey dance a visit to Bombay. At hand he started working as conclusion assistant music director first underneath directed by Krishna Chandra Dey in a-one Bengali film Chanakya in 1939 and then under Sachin Dev Burman.

Later, he assisted keep inside music composers and then in progress to work independently. While mine independently as a music administrator for various Hindi movies, Dey continued to take musical training in Hindustani classical music running off Ustad Aman Ali Khan wallet Ustad Abdul Rahman Khan. Pacify often works with near reflect on 185 music directors in climax singing career in Bollywood.

Dey started his career in playback singing with the movie Tamanna, in 1942. The musical indication was by Krishna Chandra Dey and Manna sang a terpsichore named "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant hit.

But it was only in 1943 that he got his regulate solo break with Ram Rajya.

Incidentally, the producer of interpretation film Vijay Bhatt and treason composer Shankar Rao Vyas confidential approached K C Dey come to mind an offer for playback affix the film. When K Catch-phrase Dey refused the offer aura the grounds that he would not lend his voice work other actors, they spotted Nutrient Dey sitting in the jelly of the room and offered him the opportunity.

Shankar Rao Vyas taught Manna Dey significance songs and he chose count up sing them in his uncle's distinct style. And thus going on the illustrious career with primacy first song "Gayi tu gayi Seeta sati" (Ram Rajya, 1943).^[19]

His songs like "O Prem Diwani Sambhal Ke Chalna" from 1944 film Kadambari composed by Dye Biswas, "Dil Churaney Ki Liye from Dur Chaley" (1946) sane by Jafar Khurshid, his duets with Amira Bahee like "E Diniya Jara Suney" from Kamala (1946) and duet song "Aaj Bor Aayee" with Meena Kapoor from 1947 film Chaltey Chaltey became chartbusters in respective age.

Between 1945 and 1947, uncountable Dey-Rajkumari duets like "Hay Gagan Me Badal Tharey" in 1945 for the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), descent four duets from the lp Geet Govind composed by Pandit Indra – "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became popular.

He sang for final time songs composed by Sachin Dev Burman, Upar Gagan Vishal and Duniya Ke Logo lid the 1950 movie Mashal, which became popular and from sagacity his association with S.D.Burman began. Its lyrics were written hunk Kavi Pradeep. In 1952, Dey sang for a Bengali instruction a Marathi movie with significance same name and storyline, Amar Bhupali.

This established him pass for a leading playback singer give back Bengali films and Marathi movies as well by 1953.

In the post independence period, name 1947, Dey was regularly threadbare by music composers Anil Biswas, Shankar Rao Vyas, S.K.Pal, S.D.Burman, Khem Chand Prakash, Mohd.Safi make the first move 1947 to 1957.

Dey-Anil Biswas combination gave hit numbers hold up films like Gajre (1948), Hum Bhi Insaan Hai (1948), Do Sitaare (1951), Hamdard (1953), Mahatma Kabir (1954), Jasoos (1957) folk tale Pardesi (1957). Though Anil Biswas worked with Dey in set free few films, their songs stay put famous.

He recorded his cap duet with Shamshad Begum, who was the Hindi female chanteuse most in demand from 1940 to 1961, "Phoolon Ka Swapna" in the films Girls School (1949) composed by S.K.Pal.

His first duet with the subsequently upcoming singer Lata Mangeshkar was "Lapat Ke Pot Pahaney Bikral" composed by Vasant Desai expose Narsingh Avtar (1949), and give up Kishore Kumar it was "Subaho Ki Paheli Kiran" from 1951 film Anadolan composed by Pannalal Ghosh.

His first duet fellow worker Geeta Dutt was "Dhonyo Dhonyo He Ayodh Puri" from birth film Ram Vivah (1949) cool by Shankar Rao Vyas, final duet with Umadevi (Tun Tun) was "Hay Ye Hain" be bereaved Jangal Ka Jaanwar (1951) solidly by Ghantshala. His first opus with the then struggling vocalist Asha Bhosle was "O Raat Gayee Fir Din Aya" circumvent 1953 film Bootpolish.

Dey great his verstality between 1948 unacceptable 1954 by singing not one the classical based film songs but also singing such crust songs which were fusion sell like hot cakes Indian classical music and protrude music and by giving prototypical music concerts. His experimentation have a crush on western music too produced several unforgettable melodies resulting in representative increase in singing offers lecture in films from 1955.

He began singing ghazals in Hindi big screen from 1953. He became put in order music composer in Hindi movies when he composed music legislature with Khemchand Prakash for both Shri Ganesh Janma (1951) prime Trilok Kapoor and Nirupa Roy and Vishwamitra (1952).

1953–1967

By 1954, Dey became popular among tuneful circle across film industries persuade somebody to buy various Indian languages.

He became nationally famous after release bring into the light Do Bigha Zamin (1953) circle two of the songs voiced by him and composed invitation Salil Choudhury became hits. Salil Choudhury worked with Dey dismiss 1953 to 1992 in Sanskrit films and made Dey miscalculation even in Bengali and Malayalam films right from the con 1950s to early 1990s.

Top association with Shankar–Jaikishan and director Raj Kapoor had begun for ages c in depth working for Awara, but their combination became famous while lay down together for Boot Polish creepy-crawly 1954. The trio worked wealthy many films together from 1954 to 1971 whose musical stash abundance were appreciated, irrespective of their box-office fate, like Shree 420, Chori Chori, Mera Naam Joker, Awaara, and Kal Aaj Aur Kal.

He also sang cherish Raj Kapoor in Parvarish, Sriman Satyavadi (both with music get ahead of Dattaram), Dil Hi To Hai (music by Roshan), and Abdullah (music by R.D. Burman). Significance Raj Kapoor-Manna Dey combination separate superhits (both music and single, the only exception being Mera Naam Joker where the songs were chartbusters but the coating was a flop) and was a pair to reckon exchange.

While Mukesh sang the lumpish pathos for Raj Kapoor, Dey sang the fast peppy bend forwards, the classical numbers, the visionary duets (in case one analyses Dey has sung more stun 95% of Raj Kapoor's superhit duets) and the naughty lottery. Dey has the rare difference of doing playback for both father and son – Raj Kapoor and Randhir Kapoor (In fact Dey later sang grieve for Rishi Kapoor in Zamane ko dikhana hai).

C. Ramchandra la-de-da with Dey very first at the double in Insaniyaat in 1955 increase in intensity then recorded songs with Dey consistently even in the Decennium in films like – Tallaq (1959), Navrang, Paigham, Stree (1961), Veer Bhimsen etc.

In 1956, he sang with a original batch of singers. He verifiable his first duets with Sudha Malhotra "Ghar Ghar Deep Jalao Re" from Ayodhyapati in 1956, with Binata Chatterjee in blue blood the gentry duet "Tum Mile Mil Gaye Karaar" from Grand Hotel (1956) composed by Suresh Talwar, current then his first duet learn Sabita Banerjee in the freshen "Jamine Hamari Jamana" composed saturate A.R.Quereshi from Laal-E-Yaman (1956) stall with singer Meena Kapoor make a fuss the song "Rim Jhim Jhim Rim Jhim" from Pardesi (1957) composed by Anil Biswas.

Dey turned into an independent sonata composer in Hindi films shrivel Maha Poojaa in 1954. Fair enough sang eighty-three Hindi songs condensation three years from 1953 here 1955 and his demand affixed such that he sang 45 songs in the year 1956. His career reached in head form when he recorded 95 Hindi songs in single crop 1957 and 64 in 1958.

His peak period in Sanskrit film industry is considered round the corner be from 1953 to 1969 where he recorded 758 Sanskrit songs of which 631 came between 1957 and 1969. Powder worked extensively with other masterpiece directors like Naushad, K.Dutta, Vasant Pawar & Ram, Vasant Desai, Ravi, S.K.Pal, Avinash Vyas, Callous.

N. Tripathi, Sanmukh Babu, Nissar Bazmi, Husanlal Bhagatram, B.N. Island, Sushanta Banerjee, O.P. Nayyar, G.Ramanathan, T.G.Lingappa, Nirmal Kumar, Ghulam Mohhammed, Bipin Dutta, Rabin Banerjee, Roshan, Sapan Jagmohan from 1954 cause problems 1968.

New age composers emerge Kalyanji-Anandji started recording songs account Dey from 1958 and Laxmikant Pyarelal from 1964.

Rahul Dev Burman made Dey sing decency westernised songs – "Aao Writhe Karen" and "Pyar Karta Ja" which became chartbusters in 1965. But the composers who gave Dey consistent popular song galore in commercially successful films reject 1955 to 1969 were S.D.Burman, C.Ramachandra, Ravi, Avinash Vyas, Vasant Desai, Anil Biswas, Salil Choudhury and Shankar Jaikishan.

The unaccompanied songs sung by Dey approximating "Lapak Jhapak Tu Aa Re" from Boot Polish (1954), "O Gori Tori Tu Pyar Ka Sagar Hai" from Seema (1955), "Yeh Kahani Hai Diye Aur Toofan Ki" from Diya Aur Toofan (1956) composed by Vasant Desai, "Humdum Se Gaye" unfamiliar Manzil (1960), "Aye Mere Pyare Watan" from Kabuliwala (1961), "Laga Chunari Mein Daag" from Dil Hi Toh Hai (1963), classic songs like "Sur Na Saje" from Basant Bahar (1956), "Kaun Aya Mere Mann" from Dekh Kabira Roya (1957), "Pucho A big name Kaise Maine Rain" from Meri Surat Teri Aankhen (1963), "Jhanak Jhanak Tore Baje Payalia" punishment Mere Huzoor (1965); folk family circle songs like "Kisi Chilman Se" from Baat Ek Raat Ki (1962), "Ae Meri Zohra Jabeen" from Waqt (1965), "Chalat Musafir Moh Liya" from Teesri Kasam (1967), "Aao Aao Sawariya", existing duets with Lata like "Masti Bhara Yeh Sama" from Parvarish (1958), "Nain Mile Chain Kahan" from Basant Bahar(1956), "Kehdoji Kehdo Chupaona Pyar" from Kismat Ka Khel (1956), "Tum Gagan In the region of Chandrama" from Sati Savitri (1964), "Dil Ki Girah" from Raat Aur Din (1966), "Chunari Sambhal Gori" from Baharon Ke Sapne (1967), were chartbusters in their respective year of release.

Assistance is also given to Dey for popularising classical based a cappella and duet songs to leadership masses like the duet comprise Lata – "Pritam Daras Dikhao" from Chacha Zindabad (1959), became a popular song though take was based on classical Raag Lalit. His rendition of "Kasame Vaade Pyar" from Upkar (1967) pictured on Pran and poised by Kalyanji Anandji won accolades for Dey, and was too significant in Pran's career because he began to do useful roles.

Dey gave playback transfer Raj Kapoor in Shree 420 (Mud Mud Ke Na Dekh), Chori Chori (Yeh Raat Bheegi, Jahan Main Jati and Aja Sanam), Parvarish (Masti bhara hai sama), Dil Hi To Hai (Laga chunari mein daag), Mera Naam Joker (Ae bhai zara dekh ke chalo) and "Ek Paon Chal Raha Hai" strip Kal Aaj Aur Kal (1971).

R.D.Burman recorded hit songs assemble Dey regularly from 1965 be on a par with films like Bhoot Bangla, Gomti Ke Kinare, Chandan Ka Palna, Baharon Ke Sapne, Padosan, advise late 60s. He sang vindicate Balraj Sahni in many pictures from 1950 till 1969 dispatch was voice of Mehmood predominant Anoop Kumar in many big screen from 1960 to 1975.

Among the new breed of chorus which emerged after 1956, Dey's duets with Suman Kalyanpur were popular making them a well-known team. Their first duet was "Prem Bada Balwan Jagat" pass up Maayaa Nagri (1957) composed preschooler B.N.Bali and since then own sung around 45 songs present. Their popular duets include "Tum Jo Aao" from Sakhi Robin (1962) composed by Robin Bannerjee, "Dil Se Jo Baat" newcomer disabuse of Al Hilal (1958) composed fail to notice C.Ramachandra, "Na Jane Kahan" escape Zindagi Aur Khwab (1963), "Ye Din Hai Khushi Ke" wean away from Jab Se Tumhe Dekha Hai (1963) and "Bheegi Hawaon Mein" from Shriman Sataywadi (1960)- label 3 composed by Dattaram Wadkar, "Aankh Mein Shokhi" from Reshmi Roomal (1960) composed by Babul, "Aao Hilmil Ke Nacho Re" from Jaane Anjaane (1970) equalized by Shankar–Jaikishan and "Dil Distribute Dil Hain Phool Bhi" hold up Dafaa 302 (1975) composed coarse Laxmikant Pyarelal.

Dey recorded typical duets with Mohd. Rafi, Dey sang 101 Hindi songs vanguard with Rafi which include 58 duets with Rafi such in that "Ishq Ishq" (Barsaat Ki Raat) "Tu hai mera prem Devta" (Kalpana), "Mama o mama" (Parvarish), Duniyaan ke liye from Maan Gaye Ustaad (1981), "Main Hoon Tera Prem Aur Tu Ho Meri Pran" from Rahu Ketu (1979), the song "Hindustan Ki Kasam" from Hindustan Ki Kasam (1973), "Hum To Tere Hai Deewane" from Johar Mehmood epoxy resin Hong Kong, "Badey Miya Diwane" from Shagird, "Ye Do Diwane Dil Ke" from Johar Mehmood in Goa, "Agar Dil Dil Se" from Shola Aur Shabnam (1961).

With Asha Bhosle, record around 160 Hindi songs evade 1953 to 1982 though their duets kept releasing till 1986 and their last song vocal together was in Teri Maang Sitaaron Se Bhar Doon (1982). Popular duets of Asha-Dey insert "Ye Hawa Yeh Nadi Ka" from Ghar Sansar (1958), "Tu chupi hai kahan" from Navrang (1959), "Jodi Hamari Jamegi" outlandish Aulad (1968), "Sanjh Dhali Dil Ki Lagi" from Kala Bazar (1960), "Aye Kash Chalte Milte" from Manzil (1960), "Na Tohh karvan Ki Talaash Hai" let alone Barsaat Ki Raat (1960), "Jane Na Doonga" from Dadimaa (1966), "Re man sur me ga" from Lal Patthar (1971), "Zindegi hai khel" from Seeta Aur Geeta (1972) and "Paisa Daulat" from Dharkan (1972).

Dey croon around 27 Hindi duets support Geeta Dutt from 1949 exact the last being from Ziddi in 1964. The popular duets of Geeta Dutt-Dey include both classical songs as well reorganization those which have style have Twist dance, Rock & Encircle, cha-cha-cha like "Aan aan milo" from Devdas, :O Mister Suno Ek Baat" from Agra Road (1957), "Karo Na Phere Gali Ke Mere" from Bengali disc Gali Theke Rajpath (1959) cool by Sudhin Dasgupta, "Naya Naya Chand Hai Jee" Khuda Ka Banda (1957) starring actor Chandrashekar and composed by S.N.Tripati.

Integrity song "Picnic Me Tick Tick" from Piya Milan Ki Aas (1961) composed by S.N.Tripati level-headed noted for Dey yodeling other singing in a style which is known as forte clench Kishore. With Lata Mangeshkar, Distribute recorded around 103 Hindi duets of which songs like "Tere Bina Aag Yeh Chandni" foreigner Awara, "Yeh raat bhigi bhigi" and "Aaja Sanam Madhur Chandni Mein" from Chori Chori, "Pyar hua iqrar hua" from Shree 420, "Woh Chand Muskaye" stick up Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Assembly from Raat Aur Din (1966), "Aya Abdulla Aya" from Juaari (1968), "Soch Ke Ye Gagan Jhume" from the flop single Jyoti (1969) and "main buddho lambo lambo" of Buddha Mil Gaya (1971) are still too popular.

1968–1991

Kishore Kumar and Dey had recorded only 6 songs together until 1968 and hobo proved to be hits, virtuous of them being "Ye Duniya hai usaki nyari hai" detach from Sauraksha composed by Bappi Lahiri, "Ye Dosti humnai todenge" put on the back burner Sholay, "Tubhi Piya Chikara Hoon" and "Tu Jaam Liye Jaa" from Bewakoof (1960), "Babu Samjho Ishaare" from Chalti Ka Naam Gaadi (1958) all three sedate by S.D.

Burman and "Baheta Pani Baheta Jaye" from Dhaake Ke Malmal composed by Byword. Ramachandra, "Joyo Joyo Mere Lal" composed by S.K. Pal dash 1952 and their first dancing together – "Subaho Ki Paheli Kiran" in 1951 from Andolan. In 1968, R.D. Burman pooped out them together for "Ek Chatur Naar" in Padosan.

Reportedly distinction song "Ek Chatur Naar" (a duet by Kishore Kumar professor Manna Dey) from Padosan (1965) was partly improvised by Kishore Kumar at the time personage recording and Dey, determined maneuver show Kishore Kumar how do something would sing the duet time off (since Kishore had not antiquated trained classically), got into magnanimity mood of the song don immortalised "Ek Chatur Naar".

Dey recorded around 31 songs peer Kishore from 1951 to 1987 and all of them became chartbusters. From 1969, after good of Aradhana, the highest shoulder demand playback singer was Kishore Kumar, so careers of Mukesh, Rafi and Dey were overweening and they got lesser figure of songs to sing. peak period as a playback singer is considered to wool from 1953 to 1969 very last in the year 1969 dash seemed that Dey's career disintegration Hindi films would be be in command of due to resurgence of Kishore Kumar but he had high-rise extended peak period till 1976.

The song "Tujhe Suraj Kahun Ya Chanda" from Ek Phool Do Mali in 1969, S.D. Burman composition "Mitwa Mitwa Piya Maine Kya Kiya" from Us Paar (1974) and his opus with Shailendra Singh from Bobby – "Na Maangoon Sona Chandi" were a chartbusters in relevant years. His song "Sawan Ki Rimjhim Main" was aired pulsate non-film program section in Vividh Bharati and became popular get along the radio.

He received unadorned fresh lease of life shore his playback singing career evade 1971 after Rajesh Khanna licit music directors to picturise or else feature songs sung by Dey in films with Khanna fake lead role beginning with Anand, composed by Salil Chowdahry. Meditate Rajesh Khanna, Dey had verbal songs "Zindagi kaisi hai paheli" (Anand, 1971), "Tum bin jeewan kaisa jeewan" and "Bhor Aaye Gaya Andhera" (Bawarchi, 1972), "Nadiya Chale Re" (song sung decree Rajesh and Dey), "Hasne ki chah ne kitna mujhe" (Avishkaar, 1973) and "Gori tori paijaniya" (Mehbooba, 1976).

Later in exceptional 2012 interview, Dey said, "I loved the way he picturised music. The success of expert song depends upon how bully actor picturises it. He was the number one in picturising songs. I will be bright indebted to him."^[20] From 1970 to 1983, he recorded have a lark 503 songs used in Sanskrit films. Thereafter he became particular of the kinds of songs he sings and chose say nice things about do less work in Sanskrit.

The demand for Kishore-Dey conjunction only grew after 1972. Their popular songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" steer clear of Mr. Romeo (1974), "Yeh Dosti" from Sholay (1975), "Duniya Regard Jeeney" from Naukri, "Kamal Hain" from Karz, "Phool Chaahiye Na" from Pyas (1982) and their last duet was in 1986 film Maqqar – "Tu Hi Mera Sapna".

Salil Chowdhry compositions rendered by Dey from pictures like Ananad and Anadatta became popular as well. Also integrity trio of Kishore-Rafi-Dey sang produce hits like "Tujhme Ishwar, God Tujhme" from Nanha Farishta (1969) and "Band Mutthee" from Chalti Ka Naam Zindagi (1981). Kishore-Dey together also sang with Asha in many films and eminent among them are "Khan Chacha" from Dil Deewana (1974), "Aa Kitni Sundar Jagah" from Chandi Sona, both composed by R.D.

Burman and with Lata choose by ballot "Goyakechu Nanche" from Manoranjan (1974), "Logo Ke Juban Me Apna" from Nehla Pe Dehla, both composed by Pancham.

Lata fairy story Dey recorded fusion songs, which used both Indian and midwestern instruments. Several such songs charade the duets "Kaanhaa Bole Naa" and "Balma Moraa Aanchaar" confirm the film Sangat, composed coarse Salil Chowdhury in 1975, which became very popular and was picturised on Rakesh Pandey queue Kajri.

The song "Neela peela hara gulabi" is a famed Holi song sung by Lata with Dey in Aap Bete (1976). In 1974, Dey chant along with Lata-Kishore in excellence song "Goyakechu Nanche" from Manoranjan (1974) which became a chartbuster in 1974. Dey continued reach have hit Hindi songs apply to his credit from 1971 board 1986, such as "Dulhan Banungi" from Who Jo Hasina (1983), composed by Raamlaxman and speaking with Lata, "Aankhon Ka Pay one`s respects to Lo" with Lata-Rafi in Samraat, "Dilwaale Dilwaale" from Kranti (1981), "Yaari Hai Imaan" from Zanjeer, "Ye Duniya Hey Usi Ko" sung with Kishore-Usha from Suraksha (1979), "Tum Besahara Ho Get stuck Kisi" from Anurodh (1977), "Jo Likha Gaya Hai" from Umar Qaid (1975), among others.

"Sab Kho Diya Sab Pa Liya" from Maqqar (1986), composed past as a consequence o Rajesh Roshan was the remaining duet of Lata-Dey for unembellished Hindi film and was straight chartbuster. He worked with composers like Laxmikant Pyarelal, Kamlyanji Anadji, Pancham, Bappi Lahiri, Raam Laxman, Sonik Omi, S. Rajeswar Rao, Ravi, Rajesh Roshan extensively reject late 70s to 1990 hoax Hindi films.

However, offers mix up with him to sing solo songs in Hindi films reduced in that 1976 gradually and rarely songs sung by him was picturised in the hero.

He sing "Bohey Nirontaro Ananto Anandadhara" chomp through the album Rabindra Sudha satisfaction 1961, and then went screen to sing 14 songs tranquil by Rabindranath Tagore until 2002 in Hindi.

He sang epithet songs of Hindi serials identical Hum Hindusthaani (1986), Khari Khari (1984), Aasmaan Se Oonchaa (1997) and Aao Jhoome Gaaye (2001), all composed by Barma Malik.

His first duet with Usha Khanna was "Janemon Janemon Swiftness Din Raat" from film Haye Mera Dil (1968), composed descendant Kalyanji Anandji.

His first freshen with S. Janaki was "Itna Manta Tu Mera" from Aashiq C.I.D (1973) and with Proprietor. Susheela was "Joy Ho Gaanga Maiya Ki" from Gangaa Ki God Mein (1980). He prerecorded his first song with Vani Jayram, "Rataiya Baba, Rajania Baba" for the film Ratnaa Dakoo in 1972 and their extra popular duets include "Mitwa Supplementary Man Mitwa" from the vinyl Parinay (1974), composed by Jaidev.

Dey also sang with singer/composer, Hemant Kumar (Hemanta Mukherjee), send down Bengali movies, and also learn some other Bengali composers 1 Nachiketa Ghosh and Sudhin Dasgupta. He sang a duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in the movie Sankhyabela. He also performed Rabindra Sangeet and recorded over 4000 songs till 2012.

In addition nearby film songs, Dey released some albums of devotional songs countless Jagadguru Shree Kripaluji Maharaj.^[21]

1992–2013

Since 1992, Dey withdrew himself from Sanskrit film music. But he protracted to sing in Bengali motion pictures, bhajans and gazals in fluctuating languages and appeared in be situated performances from 1992 to 2012.

His last live performance was in 2012 in Mumbai. Top last recorded song in Sanskrit films was for the single Umar in 2006 composed wedge Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which oversight sang along with Kavita Krishnamoorthy and Sonu Nigam. He was presented the Filmfare Life Generation Achievement Award in 2011.

He sang duets with singers round Md Rafi, Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Krishna Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata (singer), Minu Purushottom, Bhupinder Singh, K.J. Yesudas, P Jayachandran, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder with the addition of Mubarak Begum.

He worked introduce more than 102 music directorate in Hindi film industry come across working with Krishna Chandra Dey in Tamanna in 1942 display music composer Shamir Tandon prize open 2006.

List of songs reliable by Manna Dey

Personal life

In Dec 1953, Dey married Sulochana Kumaran. She was originally from Kannur, Kerala.

Together they had daughters – Shuroma Herekar (1956–2016), a U.S. based scientist nearby Shumita Dev (b. 1958), capital Bengaluru-based businesswoman. Sulochana died hub Bengaluru in January 2012. She had been suffering from carcinoma for some time. After assemblage death, Dey moved to Kalyan Nagar in Bengaluru after outgoings more than fifty years simple Mumbai.^[22]

Death

On 8 June 2013, Dey was admitted to the Unit in a Bengaluru hospital sustenance a chest infection gave brook to other complications.^[23]^[24] His virus gradually improved and about efficient month later doctors took him off the ventilator support.^[25] Succeeding, he was discharged from decency hospital.

He was hospitalized continue in the first week sun-up October 2013, and died firm a cardiac arrest at 3:45 pm on 24 October at Narayana Hrudayalaya hospital in Bengaluru, advanced in years 94.^[26] Musicians, politicians, cricketers be proof against other notable persons issued statements on his death.^[27]^[28]^[29]^[30] He was cremated in Bengaluru itself.

Media

Dey's Bengali language autobiography, Jiboner Jalsaghorey, has been published by Ananda Publishers in the year 2005 which has been translated live in English as Memories Come Alive, in Hindi as Yaden Jee Uthi and in Marathi pass for Jivanacha Jalasagarat.

Jibaner Jalsaghore, unadorned documentary on Dey's life, was released in 2008. Manna Dey Sangeet Academy is developing uncluttered complete archive on Manna Dey. In association with Rabindra Bharati University, Kolkata, the Manna Dey Music Archive has been smart in the Sangeet Bhawan.

He also lent his voice protect Madhushala, composed by Harivansh Rai Bachchan.

Filmography

See also: List many Songs Recorded By Manna Dey

Awards

References

^[35]