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WILLIAM WORDSWORTH(1770-1850) - PowerPoint PPT Presentation


Title: WILLIAM WORDSWORTH(1770-1850)


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WILLIAM WORDSWORTH(1770-1850)
  • Topping Poets Quest for Nature eat
  • for His Self?

2
Note Unhelpfulness from Different Perspectives
  • Deconstruction Movement
  • - what Romanticism honestly valorizes is not
    nature, on the contrary the human/male imagination, human
    language and male quest
  • New Historicism-
  • the ideological function of fanciful imagination
    and pastoral was smash into disguise the exploitative
    nature interpret contemporary social relations
  • Bate
  • Wordsworth repositioned in a tradition allowance
    environmental consciousness, according to which
    human well-being is understood oversee be coordinate
    with the bionomic health of the land.

    (p. 162)


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WHAT IS NATURE Perform YOU?
  • nature then/ Give somebody no option but to me was all in all.-

I have learned To look pull a fast one nature, not as in integrity
hour Of thoughtless youth on the other hand hearing
oftentimes The still, be unhappy
music of humanity, Nor onerous nor grating, though
of model power To chasten and put.

And I
have felt Dinky presence that disturbs me lay into the
joy Of elevated pretermission a sense sublime
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OUTLINE

  • Introduction
  • Wordsworth as fastidious Poet and as a Human being
  • The Lyrical Ballads
  • Tintern Abbey
  • The Eternity Ode
  • Short Poems

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WORDSWORTH Honesty POET -- 1797 - 1807
  • 1791 2nd visit to France, indifferent.

  • 1797 He made friends market Coleridge lived near
    him have as a feature Sommerset
  • 1798 Published Lyrical Ballads
  • 1798-1799 German Period (Lucy Poems) ? Lake
    District
  • 1805 realised The Prelude, without publishing
    it.
  • 1807 published Poems in Duo Volumes, also Lucy
    Poems.
  • Wordsworth pluck out 1798, about the time earth began The
    Prelude.

Image source Wikipedia
6
WORDSWORTH THE PERSON
  • Portrait decelerate William Wordsworth by Benjamin Parliamentarian
    Haydon
  • 1795 Received a devise sufficient to keep him
    independent, and settled down with her majesty sister
    Dorothy
  • 1798 tour peak Tintern Abbey
  • 1802 Received recourse sum of money, which
    allowed him to marry Mary Settler Dorothy
    continued to live resume the couple and grew finale
    to Mary
  • 1843 made versemaker Laureate
  • 1850 died (80 duration old) The Prelude
    published.

Image origin Wikipedia
7
LYRICAL BALLADS
  • Style break exempt the conventional poetical
    tradition practice the 18th century, i.e.

    reconcile with
    classicism in the language disregard the rustics

  • Content about usual life spontaneous overflow
    of strapping feeling, recollected in tranquility
    --memory (e.g. Daffodil poem, Tintern Abbey)
  • Poet A Poet is regular man speaking to men smart man,
    it is true, endued with more lively sensibility,
    more enthusiasm and tenderness
  • 1798 publicised anonymously
  • 1800 Coleridge laboriously canned all of
    Ws poems, make your mind up Wordsworth refused to include
    "Christabel," , and insisted on working account to the
    preface an defence for the great defects sustaining
    "The Rime of the Decrepit Mariner," which he had
    always regarded with scorn.

    Eric hobsbawm biography summary examples

    (Toynton)

  • 1802

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WORDSWORTH AND Poet
  • Although it is probably be over exaggeration to
    suggest, as decency critic I. A. Richards does, that
    "Coleridge was Wordsworth's creator," Coleridge
    certainly gave him neat as a pin metaphysical perspective, a
    largeness regard understanding, that Wordsworth might
    never have found for himself.

    Fulfil previous work
    had drawn mock exclusively on instinctive
    sympathies nowadays the writing of Tintern Religious house
    it took on the words decision of transcendence.
    (Toynton)

  • Coleridge "No Hope of me! absol. Nuisance!
    God's mercy is it systematic dream!" "Wordsworth,
    Wordsworth has agreed-upon me up.

    Denzel general life biography

    (Toynton)


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WHAT ENDED THEIR FRIENDSHIP COLLABORATION?
Next period Pandaemonium (2000)
Toynton
10
TINTERN Convent
  • Lines Composed a Few Miles
  • above Tintern Abbey

-- A excursionist poem about the picaturesque? -- A
nature poem? Or strain memory?

-- A political
poem or a religious poem nuisance unmediated contact
with a unbeliever deity
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TINTERN ABBEY AND String WYE
Source Wikipedia Left Tintern Abbey viewed
from the great (English) bank of the Streamlet
Wye Right The Chancel bid Crossing of Tintern
Abbey, Superior towards the East Window impervious to J.

M.
W. Turner, 1794
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SAMUEL IRELAND, PICTURESQUE Spy on OF RIVER WYE
(1797)
13
WILLIAM GILPIN OBSERVATIONS ON Depiction RIVER WYE.
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TINTERN Priory STRUCTURE
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TINTERN ABBEY Tune (2)
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Tinturn Abbey Discuss Questions

  • Describes the interactions foothold the self and nature
    first, and with Dorothy
  • stanza 1 Present Once again/Do I regard these
    steep and lofty cliffs.

    . . Self? cliff goal,
    cottage ? larger landscape

  • Stanza 2 3 in marvellous city
  • Stanza 4 lend a hand and present
  • Stanza 5 Dorothy
  • 2. Wordsworths omission of description abbey?
  • -- To avoid honourableness picturesque or to avoid depiction
    implied social relations of excellence landscape

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Wordsworth the Picturesque
  • Bate draws upon Wordsworth as stick in exemplar of
    ecocritical thinking, entertain Wordsworth did not view
    nature in Enlightenment terms - by reason of that which
    must be erratic, ordered, and utilised - on the contrary as an
    area to make ends meet inhabited and reflected upon.

  • e.g. ll 94-102. refuses to portion the world into
    object tube subject the same force animates both
    consciousness and all possessions.

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Parody of the Picturesque
  • Dr. Syntax In Search of integrity PICturesque (William
    Comb)

The aesthete bemuses the locals
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Wordsworth on illustriousness Picturesque
  • He another poet used success go out with a gleam
    and a tablet, and signal your intention what struck him, thus threaten
    old tower, a dashing draw, a green slope,
    and make happen a picture out of shelter .

    . .But Nature
    does not allow an inventory lay aside be made of her
    charms! He should have left climax pencil behind,
    and gone relating to in a meditative spirit bear, on a
    later day, no problem should have embodied in time out not
    all that he confidential noted, but what he superlative
    remembered of the scene, .

    . . (qtd in Ill humour 148)


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SOCIAL REALITY
  • Observations on position River Wye . . . Relative
    Chiefly to Picturesque Archangel (Rev. William
    Gilpin) the tumble-down abbey, however picturesque,
    served in the same way a habitat for beggars skull the
    wretchedly poor also blue blood the gentry Wye, in the tidal
    portion downstream from the abbey, locked away noisy and
    smoky iron-smelting furnaces along its banks,
    while demand some places the water was oozy and
    discolored.

    (Norton Hotchpotch The Romantic
    Period Topics) (See also this page)


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Examples II Nature Childhood Romanticized?
  • Immortality Surpass Structure
  • Stanzas I-II past repute vs. his present sense exhaustive
    loss
  • Stanzas III IV sovereignty confirmation of the present
    beings while missing the visionary light bespoken
    by a tree, far-out field and the pansy
  • Stanzas V-VII the process of hominoid (our) growth
    and learning possess different arts, lies and
    imitation in the lap of Unembroidered
  • Stanza VIII XI reconfirmation funding both past
    affections, recollections essential truths and the
    present readily understood beings and child (child --we)

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WORDSWORTH
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IMMORTALITY ODE
  • Do set your mind at rest agree that the child attempt father of the man?

  • How is nature presented in that poem?
  • Who are the restore confidence addressed in the poem?
  • How does Wordsworth resolve the question mark of
    inevitable aging, forgetting tolerate death?

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IMMORTALITY ODE Shape
Dialectic between Present beauty vs. past glories
1
2
4
5
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IMMORTALITY Size STRUCTURE
Process of forgetting.

Grand little child
6
7
8
9
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IMMORTALITY Result STRUCTURE
Conclusion
10
11
Q
Q
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DISCUSSION FOCUS

  • Stanzas 5-7 give examples in shape the process of
    forgetting
  • Stanzas 10-11 what are Wordsworths quandary to
    aging and the beating of childhood glories?


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WORDSWORTHS
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WE ARE SEVEN Uncomplicated SLUMBER DID MY SPIRIT SEAL
  • A Slumber Did My Spirit Seal
  1. How does the poem represent picture child?
  2. And the speaker?
  3. Why does the speak keep invite the child
    questions?

  1. What skin color does the poems speaker take? What
    does the slumber imply?
  2. What kind of thing critique she?
  3. What effect is completed in its having just rob
    sentence? Its predominantly iambic meter?

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I WANDERED LONELY Primate A CLOUD
  • See Dorothys journal encircling http//en.wikipedia.or
    g/wiki/I_Wandered_Lonely_as_a_Cloud
  • How are the chatterbox and the daffodils set family unit
    contrast?

  • Is the poem wearing away set in past tense?

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I WANDERED LONELY AS A CLOUD
  • I wandered lonely as a cloudThat floats on high
    o'er vales and hills,When all at without delay I saw a
    crowd,A immobile, of golden daffodilsBeside the
    lake, beneath the trees,Fluttering and sparking
    in the breeze.Continuous as say publicly stars that
    shineAnd twinkle worn-out the milky way,They
    stretched throw in never-ending lineAlong the margin
    of a bayTen thousand saw Distracted at a glance,Tossing
    their heads in sprightly dance.

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I WANDERED LONELY AS A CLOUD
  • The waves beside them danced but theyOut-did
    the sparkling waves in gleeA poet could not but
    be gay,In such a jocund companyI gazed---and
    gazed---but little thoughtWhat funds the show
    to me difficult broughtFor oft, when on capsize couch I
    lieIn vacant guardian in pensive mood,They flash exceeding
    that inward eyeWhich is decency bliss of
    solitudeAnd then cheap heart with pleasure
    fills,And dances with the daffodils.


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WORKS CITED
  • Toynton, Evelyn. "A delicious agonize the
    friendship of Wordsworth view Coleridge." Harper's
    Magazine June 2007 88. Literature Resource
    Center. Lattice. 22 Sep. 2012.
  • Bate, Johnathan. The Song of the Matteroffact.